From left: Popsies figurines from the personal collection of Daniel Clowes; original cover drawing for Eightball #8, 1992. Photo: Henrik Kam
From left: Popsies figurines from the personal collection of Daniel Clowes; original cover drawing for Eightball #8, 1992. Photo: Henrik Kam
Lecture
1150 25th St / McEvoy Foundation for the Arts
Sat. Aug 24 3:00PM to 3:30PM
08/24/2019 3:00pm 08/24/2019 3:30pm Gallery Sessions: Daniel Clowes

Cartoonist, author, and illustrator Daniel Clowes discusses his personal collection of Popsies figurines on display in What is an edition, anyway?, as examples of editions that have influenced his creative practice and their impact on his illustrative style, as pictured in an original cover drawing for “Eightball #8,” also on view.

Mass-produced in Japan in the 1960s and 1970s and distributed in the United States, Popsies are small, sculptural greetings with spring-loaded messages in the characters’ heads that are as grotesque and bizarre as any in Clowes’ pantheon of misfits. In a 2006 interview in The New York Times, Clowes characterized the Popsies as having “some kind of distorted screwed-up anger, some post-atomic angst that got blunted over the years, like the artist was trying his best to be cute, but underneath something crawls out that’s inappropriate and angry and truthful in some way.”

1150 25th St America/New_York public

Gallery Sessions: Daniel Clowes

Cartoonist, author, and illustrator Daniel Clowes discusses his personal collection of Popsies figurines on display in What is an edition, anyway?, as examples of editions that have influenced his creative practice and their impact on his illustrative style, as pictured in an original cover drawing for “Eightball #8,” also on view.

Mass-produced in Japan in the 1960s and 1970s and distributed in the United States, Popsies are small, sculptural greetings with spring-loaded messages in the characters’ heads that are as grotesque and bizarre as any in Clowes’ pantheon of misfits. In a 2006 interview in The New York Times, Clowes characterized the Popsies as having “some kind of distorted screwed-up anger, some post-atomic angst that got blunted over the years, like the artist was trying his best to be cute, but underneath something crawls out that’s inappropriate and angry and truthful in some way.”